In this special closing event for Turn It On: China on Film, 2000–2017, join cocurators of Art and China After 1989Alexandra Munroe, Samsung Senior Curator, Asian Art, and Philip Tinari, Director of the Ullens Center for Contemporary Art, Beijing, as they reflect upon their curatorial experiences and address broader themes in the exhibition and film series that touch upon China from 2007 to the present. The discussion will be moderated by Andrew Solomon, award-winning author and president of PEN America, copresenter of Turn It On. A screening of Ai Weiwei’s Fairytale (2007) immediately follows.
$20, $15 members, $10 students. Refreshments will be available for purchase in The Wrightfrom 5:15–6:30 pm.
Directed by Ai Weiwei艾未未
Mandarin with English subtitles, 153 min.
In 2007 Ai Weiwei took part in Documenta 12 with a participatory event called Fairytale, after the Brothers Grimm who were born in Kassel, the German city that hosts the famed art exhibition. Ai invited 1,001 people from China, many of whom had never been abroad before, to travel to Germany, live in a dormitory of Ai’s design, and freely wander the city and the exhibition. Ai’s studio recruited the applicants from the Internet. He also sent 1,001 Ming period–style wooden chairs, which were arranged throughout the exhibition hall as gathering spaces. Fairytale opens with the project’s inception and takes us through its full enactment, recording the experiences of participants of all backgrounds to create a series of portraits woven together by a single event.
Organized by the Guggenheim Museum in conjunction with Art and China after 1989: Theater of the World. Presented in collaboration with PEN America. Support is provided by The Hayden Family Foundation. A program of the Sackler Center for Arts Education.
Originally published in The Economist | NEW YORK
A new exhibition focuses on art that was made in or inspired by China between 1989 and 2008
HANGING from the ceiling of the magnificent rotunda that Frank Lloyd Wright created for the Guggenheim Museum in 1959 is an undulating black dragon. Twenty-six metres (85 feet) long, it is made almost entirely of the inner tubes of bicycles. Its head is a sculptural confection of broken cycles, its rear a writhing excrescence of black rubber loops. The visual etymology is obviously and satisfyingly Chinese. Then you notice hundreds of tiny black cars crawling all over its underbelly, like head lice on a schoolchild—symbolic of the moment when the country, in the headlong pursuit of economic growth, swerved from pedal power to petroleum.
Dr. Alexandra Munroe Receives 2017 Japan Foundation Award
Dr. Alexandra Munroe, Samsung Senior Curator, Asian Art, and Senior Advisor, Global Arts, at the Solomon R. Guggenheim Museum and Foundation, has received the 2017 Japan Foundation Award. Bestowed by the government of Japan, this award recognizes individuals whose academic, artistic, and cultural pursuits have contributed to promoting international friendship and understanding between Japan and the world. Akira Tatehata, President, Tama Art University, Tokyo, and Director, Museum of Modern Art, Saitama, introduced Munroe at the awards ceremony on October 16 in Tokyo. He credited the far-reaching impact of her exhibitions and scholarship for bolstering the field of postwar Japanese art history both in America and in Japan.