Articles / Essays

国際交流基金賞 受賞記念講演会 アメリカにおける戦後・現代日本美術史の展開とグローバル美術史の興隆

by Alexandra_Munroe on January 15, 2018

国際交流基金賞 受賞記念講演会
アメリカにおける戦後・現代日本美術史の展開とグローバル美術史の興隆

Speech Commemorating the Japan Foundation Prize for the Postwar / Contemporary Japanese Art History in America and the Rise of Global Art History

originally published on wochikochi.jp
http://www.wochikochi.jp/topstory/2017/12/art-history-munroe.php

アレクサンドラ・モンロー
(ソロモン・R・グッゲンハイム美術館アジア美術上級キュレーター/
グローバル美術上級アドバイザー)

アレクサンドラ・モンロー氏は、戦後から現代までの日本美術を美術史の一貫した立場から実証的に研究し、数々の展覧会を企画、「具体」や「ネオ・ダダ」、「もの派」、そしてより若い世代の日本の現代美術家たちの国際的な評価を高めることに大きく貢献してきました。この功績を称え、国際交流基金はモンロー氏に2017年度国際交流基金賞を授与しました。
受賞を記念して開催された講演会「アメリカにおける戦後・現代日本美術史の展開とグローバル美術史の興隆」の内容に基づき、モンロー氏にご寄稿頂きました。

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Alexandra_Munroe国際交流基金賞 受賞記念講演会 アメリカにおける戦後・現代日本美術史の展開とグローバル美術史の興隆

Art in America: FAREWELL OUR GLOBALISM

by Alexandra_Munroe on December 5, 2017

FAREWELL OUR GLOBALISM

EXCERPT from the originally published article in Art in America
http://www.artinamericamagazine.com/news-features/magazine/farewell-our-globalism/
Dec. 01, 2017
by Richard Vine

First the good news. “Art and China after 1989: Theater of the World,” now appearing at the Guggenheim Museum in New York through January 7, samples China’s most fertile and challenging post-Mao period of art production in ways that are stimulating for specialists and general viewers alike. Organized by three experts intimately involved in the history they present—Alexandra Munroe, the Guggenheim’s senior curator of Asian art; Philip Tinari, director of the Ullens Center for Contemporary Art in Beijing; and Hou Hanru, artistic director of MAXXI, the National Museum of 21st Century Art, in Rome—the exhibition eschews a strict chronological format. Instead, it strives, through savvy and sometimes unexpected selections, creatively mixed, to convey the ferment of a time in China when liberation was in the air, anything seemed possible, and avant-garde artists, at first little appreciated (and sometimes persecuted) at home, sought to take their place in the global art system. The realization that those times have sadly changed is due in equal measure to a cultural revanchism in the People’s Republic of China and a resurgence of moral provincialism in the United States.

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Alexandra_MunroeArt in America: FAREWELL OUR GLOBALISM

The Economist: How China’s artists made sense of their country

by Alexandra_Munroe on November 8, 2017

Chinese takeaway
Originally published in The Economist
| NEW YORK

A new exhibition focuses on art that was made in or inspired by China between 1989 and 2008

HANGING from the ceiling of the magnificent rotunda that Frank Lloyd Wright created for the Guggenheim Museum in 1959 is an undulating black dragon. Twenty-six metres (85 feet) long, it is made almost entirely of the inner tubes of bicycles. Its head is a sculptural confection of broken cycles, its rear a writhing excrescence of black rubber loops. The visual etymology is obviously and satisfyingly Chinese. Then you notice hundreds of tiny black cars crawling all over its underbelly, like head lice on a schoolchild—symbolic of the moment when the country, in the headlong pursuit of economic growth, swerved from pedal power to petroleum.

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Alexandra_MunroeThe Economist: How China’s artists made sense of their country

NYT: Where the Wild Things Are: China’s Art Dreamers at the Guggenheim

by Alexandra_Munroe on September 20, 2017

From left, Kan Xuan, Yu Hong, Sun Yuan, Peng Yu and Qiu Zhijie are in the Guggenheim exhibition “Art and China After 1989: Theater of the World.” The backdrop is Qiu Zhijie’s ink-on-paper “Map of Theater of the World,” commissioned for the show. CreditGilles Sabrie for The New York Times

Originally published on NYTimes.com

Where the Wild Things Are: China’s Art Dreamers at the Guggenheim

BEIJING — The signature work at “Art and China After 1989,” a highly anticipated show that takes over the Guggenheim on Oct. 6, is a simple table with a see-through dome shaped like the back of a tortoise. On the tabletop hundreds of insects and reptiles — gekkos, locusts, crickets, centipedes and cockroaches – mill about under the glow of an overhead lamp.

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Alexandra_MunroeNYT: Where the Wild Things Are: China’s Art Dreamers at the Guggenheim