먼로 박사는 지난 30여 년간 서양 중심 미술계의 주변부로 인식되었던
세계 각지의 작가들과 작품 사조를 연구해 왔다. 이러한 세계 미술사의
개척 및 발전에 대한 공로를 인정받아 국제비평가협의회 (AICA,
International Association of Art Critics)의 최우수 전시상을 네 차례나 수상하였다.
먼로 박사는 또한 미국박물관연맹 (Alliances of American Museums), 대학미술
협의회 (College Art Association), 미국큐레이터협의회 (Association of American
Museum Curators), 북미예술도서관회 (Art Libraries Society of North America),
중국미술권력 (Chinese Art Powers) 등이 수여하는 상도 수상하였다.
Cover of Alexandra Munroe, Japanese Art After 1945: Scream Against the Sky
Art and China after 1989: Theater of the World
Solomon R. Guggenheim Museum, 2017
Art and China after 1989: Theater of the World is a major exhibition of contemporary art from China spanning 1989 to 2008, arguably the most transformative period of modern Chinese and recent world history.
Gutai: Splendid Playground
Solomon R. Guggenheim Museum, 2013
Gutai: Splendid Playground presents the creative spectrum of Japan’s most influential avant-garde collective of the postwar era.
Lee Ufan: Marking Infinity
Solomon R. Guggenheim Museum, 2011
Marking Infinity presents the work of artist-philosopher Lee Ufan, charting his creation of a visual, conceptual, and theoretical terrain that has radically expanded the possibilities for painting and sculpture since the 1960s.
The Third Mind: American Artists Contemplate Asia, 1860–1989
Solomon R. Guggenheim Museum, 2009
This exhibition traces how Asian art, literature, and philosophy were transmitted and transformed within American cultural and intellectual currents, influencing the articulation of new visual and conceptual languages.
Cai Guo-Qiang: I Want to Believe
Solomon R. Guggenheim Museum, 2008
Cai Guo-Qiang is internationally acclaimed as an artist whose creative transgressions and cultural provocations have literally exploded the accepted parameters of art making in our time.
Transmitting the Forms of Divinity: Early Buddhist Art from Korea and Japan
Japan Society Gallery, 2003
The first major international exhibition devoted to a comparative examination of Korean and Japanese Buddhist art, Transmitting the Forms of Divinity explored the formative links between the ancient cultures of Korea and Japan and the early development of Buddhist art.
Kazari: Decoration and Display in Japan, 15th-19th Centuries
Japan Society Gallery, 2002
A major international exhibition introducing innovative scholarship on Japanese art to the West, Kazari: Decoration and Display in Japan examined the dynamic development of Japanese art over five centuries, focusing on particular periods of high cultural achievement.
YES YOKO ONO
Japan Society Gallery, 2001
Yes Yoko Ono, the first American retrospective of the work of pioneering avant-garde artist Yoko Ono, offered a comprehensive reevaluation of her work. The exhibition explored Ono’s position within the postwar international avant-garde and her critical and influential role in originating forms of contemporary art, music, film and performance.
The Art of Mu Xin: Landscape Paintings and Prison Notes
Yale University Art Gallery, 2001
The first major exhibition of works by the contemporary Chinese writer-artist Mu Xin featured works created while the artist was imprisoned during the Cultural Revolution (1966–76) and its immediate aftermath.
Daido Moriyama: Stray Dog
Japan Society Gallery, 1999
A crucial exhibition of an artist whose pioneering work prefigures much current cutting-edge photography. Influenced early on by William Klein and Andy Warhol, Daido Moriyama stands as one of Japan’s central postwar photographers.
Japanese Art After 1945:
Scream Against the Sky
Yokohama Museum of Art, 1994
This exhibition initiated the academic and curatorial field of postwar and contemporary Japanese art in North America.
Alternative Visions: Liu Dan and Hiromitsu Morimoto
Gallery at Takashimaya, New York, Tokyo, Yokohama, and Osaka, 1993–94
Alternative Visions presented the ink paintings of Chinese-born artist Liu Dan who was little-known at the time.
Center for International Contemporary Art (CICA), New York, 1989
Yayoi Kusama: A Retrospective was the first critical survey of the work of Yayoi Kusama presented anywhere in the world.